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미디존 교재

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에이블톤 라이브10 (김기사의)

에이블톤 라이브10을 배울 수 있는 책입니다. 김기사의 에이블톤 라이브의 독학 경험을 살려서 유저 여러분들이 쉽고 빠르게 에이블톤 라이브를 사용할 수 있도록 도와주는 책입니다.제조사미디존ISBN979-11-86336-05-2규격B5 (182mm/257mm) - (가로/세로), 4도컬러,432 페이지, 무게 : ~1 Kg판매처 링크Link1에이블톤 라이브10을 배울 수 있는 책입니다. 김기사의 에이블톤 라이브의 독학 경험을 살려서 유저 여러분들이 쉽고 빠르게 에이블톤 라이브를 사용할 수 있도록 도와주는 책입니다.상품 상세설명
[목차 보기 --> 클릭]
[책 내용 미리보기]

큐베이스11(알기쉬운)

스테인버그 큐베이스 Pro11을 독학으로 공부할 수 있는 교재입니다.
출판사미디존ISBN989-11-86336-07-6규격B5 (182mm/257mm) - (가로/세로), 1도흑백, 420 페이지, 무게 : ~1 Kg판매처Link1[본문 미리보기]
목차(Contents List)머리말
Part 1. 큐베이스 시스템1. 시스템 구축1.1. 시스템 구축을 위한 준비물2. 큐베이스 설치, 실행2.1. 큐베이스 설치2.2. 큐베이스 실행3. 큐베이스 기본 구조3.1. 메뉴, 툴 바3.2. 왼쪽 영역3.3. 오른쪽 영역3.4. 프로젝트 영역3.5. 아래쪽 영역3.6. 붙박이 트랜스포트4. 레코딩, 모니터 준비 및 설정4.1. 오디오 시스템4.2. 레코딩 준비4.3. 모니터 준비5. 미디 건반 연결 설정
Part 2. 프로젝트 생성, 불러오기, 백업6. 프로젝트 만들기, 불러오기6.1. 프로젝트 만들기, 불러오기6.2. 프로젝트 저장 (Save)6.3. 프로젝트 다른 이름으로 저장 (Save As)6.4. 새로운 버전으로 증분 저장 (Save New Version)6.5. 마지막 저장 상태로 복구 (Revert)7. 프로젝트 백업8. 프로젝트 설정
Part 3. 트랙(Track)의 종류와 사용법9. 트랙(Track)의 종류9.1. 트랙 만들기, 삭제9.2. 트랙의 종류9.3. 트랙 컨트롤, 인스펙터10. 인스트루먼트 트랙 사용법EX01 - 가상악기를 사용한 코드 연주11. 오디오 트랙 사용법EX02 - 오디오 트랙 활용12. MIDI 트랙 사용법
Part 4. 가상악기13. Groove Agent SE13.1. Groove Agent SE의 인터페이스 이해13.2. 패턴을 활용한 드럼 트랙 구성EX03 - PATTERN을 활용한 드럼 입력13.3. 인스트루먼트 직접 입력(MIDI Editor 활용)EX04 - 드럼 입력(MIDI Editor)14. HALion Sonic SE14.1. HALion Sonic SE 인터페이스 이해14.2. HALion Sonic SE 사용법EX05 - 할리온 소닉 SE 활용 작업15. Retrologue15.1. Retrologue 인터페이스 이해15.2. Retrologue 사용법EX06 - Retrologue 활용 작업16. 그 외 인스트루먼트16.1. LoopMash 소개16.2. LoopMash 사용법EX07 - LoopMash 활용 작업16.3. Mystic 소개16.4. Padshop 소개16.5. Prologue 소개EX08 - Prologue 활용 작업16.6. Spector 소개17. VST 인스트루먼트 관리17.1. 프로그램/프리셋의 차이점17.2. 프리셋 Rating(별점)과 미디어 베이 사용17.3. VST 매니저, 외부 가상악기 사용
Part 5. 레코딩, 시퀀싱, 모니터링18. 오디오 레코딩18.1. 오디오 레코딩 기초EX09 - 마이크(보컬) 레코딩 기초18.2. 오디오 레코드 모드 (Audio Record Mode)18.3. 싸이클 레코딩 (Cycle Recording)18.4. 펀치 레코딩 (Punch Recording)18.5. 프리-롤, 포스트-롤(Pre-Roll, Post-Roll) 설정18.6. 기본 레코드 모드 (Common Record Modes)18.7. 그 외 옵션 (Audio Pre-Record)19. 미디(MIDI) 시퀀싱19.1. 미디(MIDI) 시퀀싱 시스템 구축19.2. 미디 포트(MIDI Port) 설정19.3. 미디 트랙 시퀀싱19.4. 미디 레코드 모드 (MIDI Record Mode)19.5. 미디 싸이클 레코드 모드(MIDI Cycle Record Mode)20. 모니터링 (Monitoring)20.1. 큐베이스 모니터링20.2. ASIO 다이렉트 모니터링20.3. 이펙트 모니터링(VST 플러그-인)EX10 - 이펙트 모니터링(VST 플러그-인 사용)20.4. 이펙트 모니터링(DSP 이펙트)
Part 6. 오디오 편집21. 오디오 이벤트21.1. 페이드-인, 아웃, 크로스페이드21.2. 이벤트 편집21.2. 다이렉트 오프라인 프로세싱 (Direct Offline Processing)EX11 - 다이렉트 오프라인 프로세싱(Direct Offline Processeing) 활용21.3. 다이렉트 오프라인 프로세싱 부가기능21.4. 프로세싱 종류22. 샘플 에디터 (Sample Editor)22.1. 샘플 에디터 구조22.2. 툴 바 기능22.3. 인포라인, 오버뷰 기능22.4. 인스펙터 - 파형정의(Definition), 오디오워프(AudioWarp)EX12 - 파형정의, 오디오워프 인스펙터를 활용한 샘플 작업22.5. 인스펙터 - VariAudio 기능22.6. VariAudio 인스펙터를 활용한 보컬 편집EX13 - VariAudio를 활용한 보컬 편집22.7. 인스펙터 - Hitpoints 기능22.8. 인스펙터 - Range 기능22.9. 인스펙터 - Hitpoints와 Range 응용22.10. 인스펙터 - Process 기능23. 스펙트라레이어 원(SpectraLayers One) 활용23.1. 스펙트라레이어 원(SpectraLayers One) 설치23.2. 스펙트라레이어 원(SpectraLayers One) 실행23.3. 스펙트라레이어 원(SpectraLayers One) 기능EX14 - SpectraLayers를 활용한 보컬, MR 추출
Part 7. 이펙팅, 믹싱24. 믹스 콘솔24.1. 믹스 콘솔 기본 개념24.2. 믹스 콘솔의 구조 및 기능24.3. 페이더 섹션24.4. 채널 세팅 창24.5. 채널 랙25. 이펙트25.1. 오디오 이펙트 사전 지식25.2. 오디오 이펙트 분류(종류)25.3. MIDI 이펙트 사전 지식25.4. MIDI 이펙트 분류(종류)26. 이펙트 활용한 오디오 믹싱, 마스터링, 익스포트26.1. 믹스 콘솔의 볼륨 믹스26.2. 트랙별 채널 이펙팅26.3. 볼륨 믹스, 마스터링26.4. 오디오 믹스다운 (Export)
Part 8. 악보 편집 & 미디 에디터27. 키 에디터 (Key Editor)27.1. 키 에디터 (Key Editior) 2가지 실행 방법27.2. 키 에디터 (Key Editior) 툴 바, Status line, Info line27.3. 키 에디터 (Key Editior) 인스펙터27.4. 키 에디터 (Key Editior) 미디 노트, 컨트롤 데이터27. 스코어 에디터 (Score Editor)27.1. 스코어 에디터 실행 방법27.2. 스코어 에디터 기본 구조27.3. 스코어 에디터 설정27.4. 악보 기본 입력 - 박자 표시, 변경27.5. 악보 기본 입력 - 음표, 쉼표27.6. 악보 기본 입력 - 가사(Lylics), 곡 제목27.7. 악보 기본 입력 - 코드27.8. 악보 기본 입력 - 심볼(Symbol)27.9. 악보 고급 입력 - 노트 에디팅 오버레이27.10. 악보 고급 입력 - 세잇단음표(Triplet)27.11. 악보 레이아웃 - 여백, 마디 이동, 분리, 합치기, 이동, 복사, 삭제27.12. 악보 출력
Part 9. 리모트 컨트롤, 오토메이션28. 리모트 컨트롤28.1. 리모트 컨트롤 설정28.2. 트랙 퀵 컨트롤(Track Quick Controls)28.3. VST 퀵 컨트롤(VST Quick Controls)29. 오토메이션 (Automation)29.1. 오토메이션 트랙 추가29.2. 오토메이션 삭제29.2. 컨트롤 대상에서 오토메이션 트랙 추가29.3. 오토메이션 Read/Write/Mute/Lock29.4. 리모트 컨트롤과 오토메이션
부록 A. 메트로놈 라우팅A.1. 시스템 준비A.2. Antelope ZEN GO 오디오 인터페이스 설정A.3. YAMAHA UR28m 오디오 인터페이스 설정Index

FL스튜디오12 (독학으로 배우는)

많은 DAW들이 있지만, 콘트롤과 스텝시퀀서라는 독특한 기능으로 무장한 FL스튜디오는 분명한 장점이 있는 도구임에 분명합니다. 이를 독학으로 배울 수 있는 책입니다.제조사미디존ISBN9791186336014규격B5, 1도, 450페이지판매처 링크Link1아래 미리보기 이미지는 컨텐츠 보호를 위해서 실제 책보다 축소된 상태입니다.[목차]머리말목 차 (Contents List)1. FL스튜디오 시작하기1.1. FL스튜디오는 무엇에 쓰는 물건인고?1.2. 시스템 준비사항은 뭐죠?1.2.1. 컴퓨터1.2.2. 오디오 인터페이스1.2.3. 미디 건반, 콘트롤러1.2.4. 사운드 모니터를 위한 스피커, 헤드폰1.2.5. FL스튜디오12 소프트웨어1.3. 프로그램 설치 해봐요.1.3.1. 프로그램 다운로드는?1.3.2. 프로그램 설치1.4. FL스튜디오 등록 (소프트웨어 구입자만 해당)1.4.1. 회원가입1.4.2. 시리얼 등록하기1.4.3. 타이틀 바 이름 바꾸기 (이름 변경할 경우만)1.5. FL스튜디오 실행 할까요?1.6. 친숙해지기1.6.1. 툴 바(Tool bar)1.6.1.1. 메인 패널1.6.1.2. 트랜스포트 패널1.6.1.3. 레코딩 도구 패널1.6.1.4. 타임 패널1.6.1.5. 패턴 패널1.6.1.6. 출력 모니터 패널1.6.1.7. 주요 빠른 실행 패널1.6.1.8. CPU & 메모리 패널1.6.1.9. 빠른 실행 패널1.6.1.10. 온라인 패널1.6.2. 브라우저 패널(Browser)1.6.2.1. 브라우저 옵션 메뉴1.6.2.2. 분류 접기1.6.2.3. 현재 프로젝트1.7. 이런 용어는 미리 알아둡시다.연습문제 A2. 시스템 설정2.1. 미디(MIDI) 설정2.1.1. 미디 장치 연결(수동 연결)2.1.2. 미디 장치 연결 (자동 연결)2.1.3. 미디 설정 옵션2.2. 오디오 설정2.2.1. 사운드 드라이버 선택2.2.2. 사운드 디바이스 버퍼(Buffer) 설정2.2.3. 프로세싱 옵션 설정2.3. 일반 설정2.3.1. GUI Display (그래픽 UI 표시 설정)2.4. 파일 설정2.4.1. 백업 및 가상악기 경로2.4.2. 추가 폴더 등록2.4.3. 외부 프로그램(툴) 등록2.5. 프로젝트/정보 설정2.6. 프로그램 정보2.7. 설정 정리3. 채널 랙과 스텝 시퀀싱3.1. 채널 랙(Channel Rack)3.1.1. 채널 추가/삭제3.1.2. 채널 메뉴3.1.3. 채널 랙 옵션 메뉴3.1.4. 채널 랙 그룹표시 필터3.1.5. 글로벌 스윙3.1.6. 스텝/피아노 롤 오버뷰3.1.7. 채널 팬, 볼륨 및 채널 뮤트3.2. 스텝 시퀀싱3.2.1. 채널 추가3.2.2. 스텝 입력(시퀀싱)연습문제 B4. 피아노 롤(Piano Roll)4.1. 피아노 롤 기초4.1.1. 피아노 롤 툴 바4.1.2. 피아노 롤 채널 선택, 콘트롤 선택4.1.3. 노트 슬라이드, 포르타멘토4.1.4. 슬라이드 응용 - 사이렌 효과4.1.5. 선택노트 늘이고, 줄이기4.1.6. 노트 확대, 콘트롤 간편 조정(오버레이)4.2. 피아노 롤 File, Edit 메뉴4.2.1. File 메뉴4.2.2. Edit 메뉴4.3. 피아노 롤 Tool 메뉴4.3.1. Riff machine (리프 머신)4.3.1.1. 전체 공통 기능4.3.1.2. 단계 1, 2 Prog/Chord 기능 설정4.3.1.3. 단계 3 Arp 기능 설정4.3.1.4. 단계 4 Mirror 기능 설정4.3.1.5. 단계 5 Levels 기능 설정4.3.1.6. 단계 6 Arts 기능 설정4.3.1.7. 단계 7 Groove 기능 설정4.3.1.8. 단계 8 Fit 기능 설정4.3.2. Riff machine (리프 머신) 활용한 패턴 만들기4.3.3. Articulate (아티큘레이트)4.3.4. Quantizer (퀀타이저)4.3.5. Chopper (찹퍼)4.3.6. Arpeggiator (아르페지에이터)4.3.7. Claw Machine (클러 머신)4.3.8. Strum Tool(스트럼 툴)4.3.9. Randomizer (랜더마이저)4.3.10. LFO 툴 (저주파 발진 툴)4.3.11. 그 외 툴의 응용 1 (잘려진 노트를 하나로 결합)4.3.12. 그 외 툴의 응용 2 (음정변환, 트랜스포즈)4.4. Stamp/View/Helpers 메뉴4.4.1. Stamp(스템프) 기능4.4.2. View 기능4.4.3. Helpers 기능4.5. Snap/Select/Group/Zoom/Time markers 메뉴4.5.1. Snap(스냅) 메뉴4.5.2. Select(선택) 메뉴4.5.3. Group 메뉴4.5.4. Zoom 메뉴4.5.5. Time markers(타임 마커) 메뉴4.6. Target channel/Target control/그 외 메뉴4.6.1. Target channel/control 메뉴4.6.2. Auto Smoothing 옵션4.6.3. Detached 옵션4.6.3. Center 옵션4.7. MIDI(미디) 파일 불러오기연습문제 C5. 플레이 리스트(Play List)5.1. 플레이 리스트 기초5.1.1. 플레이 리스트 실행5.1.2. 패턴 추가 및 관리5.1.3. 플레이 리스트 아이콘5.1.4. 플레이 리스트 메뉴5.1.5. 트랙 메뉴5.1.6. 트랙 제어5.2. 플레이 리스트 구성 방법5.3. 패턴 클립과 오디오 클립, 오토메이션 클립5.3.1. 패턴 클립5.3.2. 오디오 클립5.3.3. 오디오 클립의 샘플 부가기능5.3.4. 오토메이션 클립 (오디오 클립 파생)5.3.5. 오토메이션 클립 (패턴 클립 파생)5.4. 퍼포먼스 모드(Performance Mode)5.4.1. 퍼포먼스 모드 사전 준비5.4.2. 퍼포먼스 모드 실행5.4.3. 퍼포먼스 모드 트랙 설정5.4.4. 퍼포먼스 모드 특징5.4.5. 퍼포먼스 모드 씬(Scene)연습문제 D6. 믹서(Mixer)6.1. 믹서 기초6.1.1. 채널 랙의 사운드를 믹서를 거쳐서 받는 이유6.1.2. 믹서의 볼륨 배합기능6.1.3. 믹서의 팬 조절6.1.4. 믹서의 이펙트 장착6.2. 믹서 기능6.3. 믹서 메뉴6.3.1.Options 분류6.3.2. Mixer Track (선택한 트랙이름 표시)6.3.3. Routing (라우팅)6.3.4. Group (그룹)6.3.5. Layout (레이아웃)6.3.6. CPU (프로세서)6.4. 플러그-인 이펙트(Plug-In Effect) 패널6.4.1. 이펙트 추가 방법 (2가지)6.4.2. 이펙트 삭제(제거) 방법6.4.3. 이펙트 프리셋 사용 방법6.4.4. 이펙트 바이패스(통과) 및 순서 바꾸기6.4.5. 이펙트 설정 저장6.5. 사이드-체인 라우팅(Side-chain routing) 응용6.5.1. 컴프레서를 활용한 덕킹(Ducking)6.5.2. 유틸리티 Gross Beat를 활용한 덕킹(Ducking)6.6. 트랙 속성6.6.1. 파라미터릭 EQ6.6.2. PDC(플러그-인 지연 보상)6.7. 오디오 라우팅(Routing), 레코딩(Recording)6.7.1. 인스트루먼트 라우팅6.7.2. 오디오 레코딩6.7.3. 실전 오디오 레코딩6.8. 믹싱(Mixing), 마스터링(Mastering)6.8.1. 사운드 모니터 환경6.8.2. 레밸 미터링(Level Metering)6.8.3. 채널의 믹스 레밸6.8.4. 마스터 트랙의 마스터링연습문제 E7. 이펙트(Effect)7.1. FL스튜디오 이펙트 플러그-인7.1.1. FL스튜디오 이펙트 장착7.1.2. FL스튜디오 이펙트 교체7.1.3. 이펙트 추가7.1.4. 외부 이펙트 등록7.1.5. 이펙트 분류7.2. 플러그-인 Wrapper(랩퍼), 메뉴7.2.1. 인스트루먼트 플러그-인 메뉴7.2.2. 이펙트 플러그-인 메뉴7.2.3. VST Wrapper 설정7.2.4. 인스트루먼트 채널 설정7.3. 실전 이펙트 사용7.3.1. EFFECTOR7.3.2. Fruity Compressor/Fruity Multiband Compressor7.3.3. Fruity Convolver(Convolution Reverb & Linear Phase EQ)7.3.4. Fruity Formula Controller7.3.5. Gross Beat7.3.6. Newtone (뉴톤)7.3.7. Fruity Scratcher (스크래처)7.3.8. Vocodex (보코덱스)연습문제 F8. 인스트루먼트(Instrument)8.1. Synth classic(정통 신스계열)8.1.1. 3x OSC8.1.2. GMS(Groove Machine Synth)8.2. Drum (드럼/퍼커션 계열)8.2.1. Drumpad (퍼커션 모델링 인스트루먼트)8.2.2. Fruity DrumSynth Live8.3. Sampler (샘플러 계열)8.3.1. DirectWave (Sampler)8.3.2. FPC (Furity Pad Controller) 드럼 머신8.3.3. BassDrum (베이스 드럼)8.4. 그 외 인스트루먼트9. 콘트롤과 오토메이션9.1. 콘트롤(Control)9.1.1. 콘트롤러(Ctroller)9.1.2. 콘트롤 3대 요소9.1.3. 내부 콘트롤러 - 피크 콘트롤러(Fruity Peak Controller)9.1.4. 외부 콘트롤러9.1.5. 링킹(Link)9.1.6. 멀티 링크 콘트롤러(Multilink to controllers)9.2. 오토메이션9.2.1. 오토메이션 클립9.2.2. 직접 제어 오토메이션 클립(Direct Control Automation Clip)9.2.3. 간접 제어 오토메이션 클립(Indirect Control Automation Clip)9.2.4. 다중 오토메이션 클립(Multi Automation Clip)의 선택9.2.5. 오토메이션 클립 편집과 메뉴9.2.6. 오토메이션 채널 설정연습문제 G10. 저장 및 내보내기10.1. 프로젝트 저장10.1.1. 프로젝트 저장 및 경로10.1.2. 프로젝트 구성요소 저장(Collect Project Data files)10.2. 프로젝트 출력10.2.1. 오디오 파일 출력10.2.2. MIDI(미디) 파일 출력연습문제 H11. 리와이어(Rewire)11.1. 클라이언트 모드(Client Mode)11.1.1. 클라이언트 모드(Client mode)11.1.2. 클라이언트 모드(Client mode) 설치11.1.3. 에이블톤 라이브(Ableton Live)에서 클라이언트 모드 사용11.2. 호스트 모드(Host Mode)11.1.1. FL스튜디오의 호스트 모드11.1.2. FL스튜디오 호스트 모드로 에이블톤 라이브를 클라이언트로 불러오기Index

알기쉬운 컨탁6(Kontakt6)

네이티브 인스트루먼트의 Kontakt6를 공부할 수 있는 책입니다. 총 210페이지 이상의 분량으로 구성되었으며, 각 단원별 실력을 확인할 수 있는연습문제가 수록되어 교육용 목적으로도 충분히 사용할 수 있는 교재가 되겠습니다.제조사미디존ISBN989-11-86336-06-9규격B5 (182mm/257mm) - (가로/세로), 1도흑백,200 페이지, 무게 : ~1 Kg판매처 링크Link1
[본문 미리보기]

[목차]
제 1부 - Kontakt 기본 사용법
1. Kontakt 준비사항 ·············································91.1.Kontakt(컨탁)이무엇인가?·········································91.2.Kontakt(컨탁)의종류는?··········································101.3.Kontakt(컨탁)다운로드및설치·····································102. Kontakt 실행 및 설정 ··········································162.1.Kontakt실행·····················································162.2.Kontakt설정(Setup)··············································172.3.Kontakt라이브러리···············································193. Kontakt 인터페이스 ···········································223.1.Kontakt창의기능·················································223.2.MainControlPanel(메인컨트롤패널)·······························233.2.1.File메뉴·····························································233.2.2.Workspace메뉴······················································263.2.3.Minimized버튼·······················································273.2.2.Workspace메뉴······················································273.3.Browser창······················································283.3.1.라이브러리탭·························································283.3.2.파일탭······························································303.3.3.데이터베이스탭······················································323.3.4.익스퍼트탭··························································333.3.4.1.Groups탭·························································333.3.4.2.Zones탭··························································343.3.4.3.Parameter탭······················································343.3.4.4.Engine탭··························································343.3.4.5.Automation탭·····················································353.4.마스터에디터·····················································363.5.Rack(랙)························································373.5.1.인스트루먼트헤더·····················································373.5.2.인스트루먼트헤더·····················································373.5.1.멀티인스트루먼트헤더·················································37
연습문제 A······················································41
연습문제 A······················································424. 큐베이스에서 사용방법·········································434.1.큐베이스에서Kontakt기본사용법···································434.1.1.큐베이스실행및VST경로설정··········································434.1.2.큐베이스에서Kontakt인스트루먼트트랙추가·····························464.1.3.큐베이스에서멀티인스트루먼트사용·····································484.1.4.Kontakt의멀티인스트루먼트저장·······································544.2.Kontakt멀티출력사용·············································554.2.1.Kontakt의출력(Output)···············································554.2.2.큐베이스에서Kontakt의멀티출력·······································575. Kontakt의 사운드 출력·········································615.1.Kontakt의사운드출력은어디서?····································615.2.Kontakt의출력라우팅·············································625.3.DAW로의출력라우팅··············································645.3.1.Kontakt의출력추가···················································645.3.2.Kontakt의라우팅출력선택·············································675.3.3.DAW의믹서채널······················································68
연습문제 B······················································696. 에이블톤 라이브에서 사용 방법···································716.1.에이블톤라이브에서컨탁기본사용법·································716.1.1.에이블톤라이브실행및VST경로설정····································716.1.2.에이블톤라이브에서Kontakt트랙추가···································736.1.3.에이블톤라이브에서멀티인스트루먼트사용·······························756.2.Kontakt의멀티출력···············································787. FL스튜디오에서 사용 방법 ······································817.1.FL스튜디오에서Kontakt기본사용법·································817.1.1.FL스튜디오실행및VST경로설정········································817.1.2.FL스튜디오에서Kontakt채널추가·······································837.1.3.FL스튜디오에서멀티인스트루먼트사용···································847.2. FL스튜디오에서 Kontakt의 멀티 출력 ··························88
연습문제 C······················································92
제 2부 - Kontakt 인스트루먼트 에디팅
8. Kontakt의 에디트 모드(Edit Mode) ····························958.1.에디트모드기초···················································958.2.인스트루먼트옵션·················································978.3.그룹에디터(GroupEditor)·········································1028.3.1.컨트롤헤더(메뉴버튼)·················································1038.3.2.그룹리스트···························································1048.3.3.보이스그룹(VoiceGroups)·············································1058.3.4.그룹시작옵션(GroupStartOptions)···································1078.4.맵핑에디터(MappingEditor)······································1088.4.1.샘플맵핑·····························································1108.4.2.자동샘플맵핑························································1118.4.3.존관리·······························································1188.4.4.상단컨트롤메뉴,버튼(ControlStrip)····································1198.4.5.배치툴(BatchTools)··················································1238.5.웨이브에디터(WaveEditor)········································1248.5.1.툴바(ToolBar)·······················································1268.5.2.상태바(StatusBar)···················································1288.5.3.파형창(WaveformView)··············································1308.5.4.그리드패널(GridPanel)···············································1308.5.5.샘플루프(SampleLoop)탭············································1338.5.6.싱크/슬라이스(Sync/Slice)탭··········································1388.5.7.싱크/슬라이스(Sync/Slice)탭활용슬라이스구성·························1408.5.9.존엔벨로프파리미터(ZoneEnvelopesParameters)······················1458.5.10.존엔벨로프유틸리티·················································1468.5.11.샘플에디터(SampleEditor)···········································1478.6.스크립트에디터(ScriptEditor)······································1508.6.1.스크립트에디터버튼사용··············································1508.6.2.스크립트에디터기능정리··············································1538.6.3.멀티인스트루먼트KSP사용·············································155
연습문제 D·····················································1569. 에디트 모드(Edit Mode) 고급···································1589.1.소스모듈(SourceModule)·········································1589.1.1.Sampler(샘플러)·····················································1609.1.2.DFD(DirectFromDisk)··············································1629.1.3.웨이브테이블(Wavetable)·············································1629.1.4.톤머신(ToneMachine)···············································1649.1.5.타임머신(TimeMachine)·············································1669.1.6.타임머신2(TimeMachine2)··········································1669.1.7.타임머신프로(TimeMachinePro)·····································1679.1.8.비트머신(BeatMachine)·············································1689.1.9.S1200Machine/MP60Machine·······································1699.2.그룹프로세싱(GroupProcessing)···································1709.2.1.그룹인서트이펙트(GroupInsertEffects)·······························1709.2.2.앰프리파이어모듈(AmplifierModule)···································1739.3.인스트루먼트프로세싱(InstrumentProcessing)······················1759.3.1.버스인서트이펙트(BusInsertEffects)··································1769.3.2.인스트루먼트인서트이펙트(InstrumentInsertEffects)····················1799.3.3.인스트루먼트샌드이펙트(InstrumentSendEffects)······················1799.3.4.인스트루먼트출력(InstrumentOutputs)································1829.3.출력채널(OutputChannel)········································1849.3.1.메인출력,Aux출력인서트이펙트········································1849.4.이펙트(Effect)···················································1869.4.1.이펙트공통사항······················································1869.4.2.AETFilter····························································1889.4.3.TransientMaster(트랜지언트마스터)···································1969.4.3.TransientMaster(트랜지언트마스터)···································1969.4.3.TransientMaster(트랜지언트마스터)···································1979.4.5.SolidBusComp(솔리드버스컴프레서)··································1979.4.6.Limiter(리미터)······················································1979.4.7.Lo-Fi(로우-파이)·····················································1989.4.8.CryWah(크라이와와)·················································1989.4.9.Convolution(콘벌루션)···············································1999.4.10.Saturation(세추레이션)··············································2029.4.11.독특한필터종류······················································2039.5.모듈레이션(Modulation)··········································2059.5.1.모듈레이션동작원리···················································2059.5.2.모듈레이션추가방법···················································2089.5.3.모듈레이션삭제방법···················································2119.5.4.어싸인먼트컨트롤(AssignmentControls)·······························2129.5.5.모듈레이션활용팁(1)··················································2139.5.6.모듈레이션활용팁(2)··················································214
연습문제 E······················································216Index (색인) ···················································218